Felipe Viveros is a Chilean born multimedia artist, producer, songwriter and composer. Their work resides at the intersection of immersive art, ethnomusicology and experimental music.

Gathering experimental research on movement building, deep ecology and post capitalism, Viveros’ practice focuses on challenging the dominant narratives by centering the voices, knowledge and experience of the global majority and BIPOC communities in the diaspora. 

Viveros takes particular interest in exploring Indigenous narratives that speak to the spirit of the commons and challenge us to move toward radical relationality with one another and with our planet.Their aim: to shift public narratives and create the conditions for models of collective care that are post-extractive and post-anthropocentric so that art may help us rekindle connection to the Earth. 

Viveros’ installations take the form of immersive art, performance, videos, and publications. These projects are designed to heal the effects of late capitalism and ecological destruction, exploring new ways of being with one another, and offering glimpses of liberatory abolitionist futures. 

In their practice, Viveros explores multiple epistemologies and many ways of knowing and being.  Resourced by the myths and ceremonies that have allowed people, and the more than human world, to converse over millennia, offering care as an act of renewal and resistance.

From producing the world’s first Ocean Vinyl to their ongoing exploration with light artist Chris Levine, Viveros’ work swiftly traverses genres, boundaries and disciplines. They have worked extensively with pioneer sound engineer Carl Golembeski, and toured the world foraging sounds, performing, and sharing their work.

Recent exhibitions include: Tate Modern (2023), London Design Biennale (2023), Black Earth, Amsterdam (2023), SPATIAL Festival, Berlin (2022), Glastonbury Festival (2022), Medicine Festival (2021).

Learn more about Felipe.